In order to get scores, please contact maricatmusic@yahoo.co.jp(Japanese, European Languages) CM : Commissioned by    PB : Published at    PZ : Prize Solo Works Liebeslieder (Love songs), for flute solo(1985) 12' PZ : Ancona International composition competition, 1986. Italy L'Abandon, 1st version L'Abandon, for guitar and pre-recorded tape(1990-1992) 15' 1. L'Abandon 2. Norwegian Wood 3. Dance, Dance, Dance 2nd version L'Abandon, for synthesizer(SY77 or TG77)and Midi(1990-1992) 15' 1.L'Abandon 2. Norwegian Wood 3. Dance, Dance, Dance Innocent, for piano solo(2000) 12' Jungibility, for piano solo(2005〜2006) 10' CM : Ellen Ugelvik We will meet again, for piano solo (2009) 7' Corridors of light, for flute solo (2012) 4' CM: Reiko Manabe (HIbari hibari-charity) (it is on the internet broadcasting program hibari-charity.com) The Piece under the song"Ah,vous direi-je,Maman ", for piano solo (2013) 1' PB:Shanghai Comservatorm of Music Press Broken Dream of a Giraffe, for piano solo (2014) 12' CM:Yusuke Sato One story of Ferris 145, for piano solo (2015) 3' CM: Ferris University Duo Works Are you going with me? 1st version Are you going with me?, for vibraphone and piano(1987) 6' 2nd version Are you going with me?, for 2 guitars(1987) 6' Zauberspiegel (magic mirror), for oboe and keyboard (piano, synthesizer DX-7 II) (1988) 10' Silent Light, for mandolin and harpsichord(2001) 15' CM : Akihiro Fukaya Two Pieces for Two Mandolins(2002) 10' 1.Water Dance 2.The Crane Juggler CM : Akihiro Fukaya,Hirotaka Nozaki LigAlien III, for vn and hp(2007) 8' Shade of darkness, for fl and ten.sax(2012) 10' CM:Masahito Sugihara Elegy, for 2 vns（2013-2014）( Revised 2019)10' CM:Sarah Plum Shade of darkness, for fl and vc (Revised 2014) 10' Adieu and rebirth, for vibraphone and piano (2014-2015) 13' Remnants of Love,for 2 guitars（2017）10’ CM: GT Duo Taiwa Innocent,for Vibraphone and Marimba (Revised 2020) 10’30 2020 Marginal for prepared piano and SuperCollider (2020) 9’30 CM:Institute Monten Chamber Works Duende, for vn, fl, cl, T-bells, vib(1982) 10' PZ : The 3rd Irino Prize, 1983 PB : Ongakugeijutsu, 1983 Felicitas , for 15 instrumentalists(1983〜1984) 13' Kreislauf (Cycles), for percussion quartet(1985) 18' Octet, for 2fls, 2obs, 2cls, 2bns(1986) 8' Four Pieces for Six Players (fl (+picc, alt, bass), ob, cl (+bass cl, sop sax),trb, perc, pf)(1987) 15' 1. Khyal 2. Labyrinthe d'orfeo 3. Are you going with me?4. Die verzerrte Variation Casablanca 1st version Casablanca, for sax (sop, alt, bar), keyboard(DX7-II), va, cb(1989) 3'30 2nd version Casablanca, for sax(sop, alt, bar), 2 synths (DX7-II), va(1989) 3'30 L'Abandon, for 14 guitars (1990-1992) 15' 1. L'Abandon 2. Norwegian Wood 3. Dance, Dance, Dance Octet in Two Movements, for cl, hrn, guit, pf, 2 percs, vn, cb(1993) 10' Snow shadow, The Crow and The Jelly Fish, for guit, hp, perc, rubab(1989) 12' CM : American embassy in Tokyo Mugen No Tsuki, Mugen No Hoshi (Infinite Moon, Imagined Stars), for koto, 17-string koto, sho, hichiriki, vn(1998) 14' CM : Teiko Kikuchi String Quartet(1999) 11' Song of the Pig-Mary (Paradox Love Song), for 6 mouth organs(2000) 15' Moon Cherry, for shakuhachi, koto, 17-string koto(2000) 8' LigAlien I, for sop sax, ten sax, pf(2003) 9' CM : Masahito Sugihara LigAlien II, for hichiriki, 17-string koto, vn(2003) 14' CM : Hitomi Nakamura LigALien IV, for Sop.Sax, Ten.Sax, Pf (2007-2008) 12' LigALien X, for Shakuhachi, vn, vc, pf (2009-2010) 10' LigAlien II, for Ob, 17-string koto, vn（Revised 2009）14' Schneekoenigin’s Arie, for Mez,Fl,Vc（2018）from the Opera "Die Schneekoenigin" (The Snow Queen)　10’ (The Chamber ensemble version) Lyrics by Mari Takano,Hubertus Dreyer Liebesblumen,for GT Quartet (2019) 8’ CM: GT Quartet Anemone Works for voice(s) and ensemble Sexality , for mez sop, va, 3 synths(2DX7-II, SY77)(1988-1989) 4'30 Lyrics by Mari Takano Women's Paradise, for f-chor, mez sop, sax (sop, alt, bar), va, 3 synths(2DX7-II,SY77), sampler, midi(or tape)(1988-91)(concert version) 16' 1.Das unendliche Geschwaetz 2. Sexality 3. Casablanca 4. L'abandon Lyrics by Mari Takano Blumen Arie (Flower aria) 1st version (The Chamber ensemble version) Blumen Arie, for sop, va, pf, 2 synths, perc, guit（1993）from the Opera "Die Schneekoenigin" (The Snow Queen)　7'10 Subsidy：Hamburger Kulturbehoerde Lyrics by Elmar Gehlen 2nd version (The Chamber ensemble version) Blumen Arie, for sop, va, pf, guit（1997）from the Opera "Die Schneekoenigin"(The Snow Queen)　7'10 Lyrics by Elmar Gehlen 3rd version (The Chamber ensemble version) Blumen Arie, for sop, vn, pf, guit（2000）from the Opera "Die Schneekoenigin" (The Snow Queen)　7'10 Lyrics by Elmar Gehlen Raben-Szene(Crow scene) 1st version (The Chamber ensemble version) Raben-Szene, for sop, ten, bar, va, perc, 3 synths, pf（1993）from the Opera "Die Schneekoenigin" (The Snow Queen)　14' Subsidy：Hamburger Kulturbehoerde Libretto by Elmar Gehlen 2nd version (The Chamber ensemble version) Raben-Szene, for sop, ten, bar, va, perc, sax (sop, alt, bar), 2 synths, pf（1995） from the Opera "Die Schneekoenigin" (The Snow Queen)　14' Subsidy：Hamburger Kulturbehoerde Libretto by Elmar Gehlen "Die Schneekoenigin" (The Snow Queen), Chamber ensemble version of the Second Act, Scene 1-5, for 2 sops, ten, bar, va, perc, sax (sop, ten), cl (bas cl), guit, 2 synths, pf (1995) Subsidy:Hamburger Kulturbehoerde Libretto by Elmar Gehlen Schneekoenigin’s Arie, for Mez,Fl,Vc（2018）from the Opera "Die Schneekoenigin" (The Snow Queen)　10’ (The Chamber ensemble version) Lyrics by Mari Takano,Hubertus Dreyer Vocal Works Two Chansons, for sop, pf(1997) 14' The End of the Affair, Vacation No Pal CM : The 4th Kanagawa Art festival (concert with Barbara Hendricks) Lyrics by Mari Takano and Hubertus Dreyer Choral Works Drei Stuecke fuer Stimmen (Three pieces for voices) 1st version Drei Stuecke fuer Stimmen (Three pieces for voices), for ten. solo and mixed choir, 2 recorders, 2 percs (to be performed by the singers ad lib.)(1986-87) 15' 1. Inori 2. Madonna 3. Song of The Pig-Mary 2nd version Drei Stueke fuer Stimmen (Three pieces for voices), for ten. solo and mixed choir (1986-87) 15' 1. Inori 2. Madonna 3. Song of The Pig-Mary Zwei Stuecke fuer Stimmen (Two pieces for voices), for mixed choir ( Revised 2009) 10' 1. Inori 2. Song of The Pig-Mary Orchestral Works Kokai, for orchestra and piano solo(1984) 14' 3(I=picc).3.3.3-4.3.3.1-perc(4)-harp-strings PZ : Foerderpreis der Landeshauptstadt Stuttgart 1985. Flute concerto, for flute and string orchestra (1.Chicago 2.The only flower in the world 3. Walking) (2004-2006) 30' CM : Robert von Bahr,Sharon Bezaly Doppelconcerto, for two Violins and orchestra (1 Fl(doubling Piccolo),1 Ob,1 Cl in B♭(doubling Bas.Cl),1 Bn,1 Hrn in F,1 Trp in C,1 Trb, 1 Bas Tub, Perc.(1 Player), 1 Hp, 1 Vn(with skordatur),Vn I, Vn II, 1 Va(with skordatur),Va. Vc,Cb) CM:Sarah Plum Opera Women's Paradise, for f-choir, mez sop, sax (sop, alt, bar), va, 3 synth(2DX7-II,SY77), sampler, midi(or pre-recorded tape)(1988-91)(Abstract Opera) 16' 1. Das unendliche Geschwaetz 2. Sexality 3. Casablanca 4. L'abandon Gerda (The Snow Queen), Opera(1992-1995,2011-2020) 150’ See the "Snow Queen" page for more details. Theater Music Theater Music Beautiful Mythology of Japan, for vn and pf (2007) 20' CD-OP0852A(2008) Electronic Work Full Moon, for vn and electronics(2008-2009) 12' FP : March 8, 2009. Music From Japan Festival 2009 CM : Music From Japan Festival 2009 Dream Chat, for electronics (2012) 8' Dream chat, for 17 String Koto& 20String Koto and Electronics (2012) 9' CM: Media Project Vol.11 Marginal for prepared piano and SuperCollider (2020) 9’30 CM:Institute Monten Works with Japanese Traditional Instruments Mugen No Tsuki, Mugen No Hoshi(Infinite Moon, Imagined Stars), for koto, 17-string koto, sho, hichiriki, vn(1998) 14' Moon Cherry , for Shakuhachi, koto, 17-string koto(2000) 8' LigAlien II, for hichiriki, 17-string koto, vn(2003) 14' LigAlien II, for Ob, 17-string koto, vn（Revised 2009）14' Dream chat, for 17 String Koto& 20String Koto and Electronics (2012) 9' CM: Media Project Vol.11 Arrangement Children’s Songs at Wartime,for F-chor ,Pf (2015) 17’ CM: Ferris University No part of this homepage may be used for commercial purposes without permission of the composer. ©2020 Mari Takano